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c. 1445 – May 17, 1510. Italian painter.

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BREENBERGH, Bartholomeus
The Prophet Elijah and the Widow of Zarephath

ID: 29113

BREENBERGH, Bartholomeus The Prophet Elijah and the Widow of Zarephath
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BREENBERGH, Bartholomeus The Prophet Elijah and the Widow of Zarephath


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BREENBERGH, Bartholomeus

Dutch Baroque Era Painter, ca.1598-1657 Dutch painter, draughtsman and etcher. He was one of at least eight children of a wealthy Protestant family in Deventer, where his father was the town pharmacist. After his father's death in 1607, the family left Deventer, probably moving to Hoorn. No artist then living in Hoorn could plausibly have been Breenbergh's teacher, and given the fact that his earliest works reveal the stylistic influence of the Pre-Rembrandtists, it is more probable that he was apprenticed in Amsterdam. In 1619 he was called upon to give testimony in Amsterdam: on this occasion his profession was listed as 'painter'. His oeuvre can be divided stylistically and iconographically into two distinct groups. He belonged to the first generation of DUTCH ITALIANATES, northern artists who travelled to Italy in the 1620s and were inspired by the light and poetry of the southern landscape. The work of this period consists of numerous Italianate landscape drawings and paintings.  Related Paintings of BREENBERGH, Bartholomeus :. | The Finding of Moses | Joseph verkauft Korn | Joseph Selling Wheat to the People dsf | The Preaching of St John the Baptist | The Prophet Elijah and the Widow of Zarephath |
Related Artists:
Cornelis Lieste
painted Landscape with Crescent Moon in
John Sherrin
1819-1896 Pencil and watercolour heightened with bodycolour 12x16in 30.5x40.6cm
HOOCH, Pieter de
Dutch Baroque Era Painter, 1629-1684 Dutch painter. He was one of the most accomplished 17th-century Dutch genre painters, excelling in the depiction of highly ordered interiors with domestic themes and merry companies and pioneering the depiction of genre scenes set in a sunlit courtyard. The hallmarks of his art are an unequalled responsiveness to subtle effects of daylight, and views to adjoining spaces, either through a doorway or a window,






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